Susi Rosenfeld
Artistic Research
Coaching/ Education/ Artistic Research
Artistic Research/ Artistic Intervention with Artist Educator in Dance students (Year 2), pilot
ArtEZ University of the Arts, Arnhem 2026
Co-Creation in Communities with Artist Educator in Dance students (Year 2)
ArtEZ University of the Arts, Arnhem 2026
Inspiration session: Dancing in Context – workshop, reflection and conversation on how to design an artistic intervention that goes beyond a traditional dance class.
Artist Educator in Dance students (Year 1), ArtEZ University of the Arts
Research on how to create a “Literature Café” together with AE Dance students (Year 2), exploring how emergence-based working can function not only within the creative process but also in the initiation of projects with partners in co-creation.
Common Sync - 8-week-teaching module for Artist Educator in Theatre
ArtEZ University of the Arts, Arnhem – 2024
Mentoring students of Musician 3.0 on Community Art
HKU University of the Arts Utrecht – 2023
Mentoring interns at Common Stage
Cultural Center Het Wilde Westen, Utrecht– since 2020
Guest teacher at the dance training program Tanzimpulse, Cologne (DE) – 2004–2014
Monthly two-day intensive training for teachers at Les Tournesols (LU) – 2008–2012
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Lecture Demonstrations
Lecture Demonstration and Kick-off of Common Stage
University of Applied Sciences Saar, Saarbrücken (DE) – 2025
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Lecture Demonstration Common Stage
HAN University of Applied Sciences, Arnhem – 2025
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Lecture Demonstration Common Stage
LKCA Symposium on Inclusion and Diversity – 2024
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Lecture Demonstration Common Stage
Research meeting on Impact with HU University of Applied Sciences Utrecht and Plan Einstein – 2024
Presentation at the symposium “Reconnect Participative Dance” by Aktion Tanz (DE), about the working method of Stick Around during Covid-19 – 2020
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Recent Research Questions
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How does the process of commoning emerge in community projects?
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How do you initiate an arts-based community?
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How can everyday movement shift into dance, and what kinds of spaces are needed for this transition?
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How can one sustain their own artistic practice while inviting others to participate in an accessible way — sharing ideas or starting their own practice? Towards the idea of a “common atelier”.